How the Belgrade Shibari Community Found Its Voice

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How the Belgrade Shibari Community Found Its Voice

Anna Koval

2 September 2025

Five years ago, if you were interested in shibari in Belgrade, you were mostly learning from YouTube videos and hoping someone on FetLife would respond to a message. The community existed in fragments — a few riggers who knew each other, occasional visitors from Western Europe, no shared space, no regular events.

That has changed considerably, and the story of how it changed is worth telling — both because it is specific to this city and this moment, and because it reflects patterns that have repeated in other places where communities have built themselves from almost nothing.

The role of shared space

The first time we held an open jam session at the studio, seven people came. Three of them had never touched rope before. The room was small, the rigging points were improvised, and the playlist was too loud. But something important happened: people who had been practising alone or in isolation met each other and discovered they were not the only ones.

This seems obvious in retrospect. Of course meeting other practitioners accelerates learning and builds a sense of shared context. But it requires someone to take the practical risk of organising and hosting — finding a space, setting a date, being responsible for what happens there. That step from "wanting a community" to "building a community" is where most potential scenes stall.

Community does not emerge on its own. Someone has to do the unglamorous work of creating the conditions for it.

Teaching as community infrastructure

Regular classes do something that informal jams cannot: they create a shared vocabulary. When twenty people have learned the same foundational ties from the same teacher, they can talk to each other about technique in a way that is actually communicative. They can give and receive feedback. They can build on each other's knowledge.

The Belgrade community now has a generation of practitioners who learned together, which creates a texture of connection that goes beyond individual friendships. When new people arrive — and they do arrive, in increasing numbers — they are entering a context that already has some depth to it.

What still needs work

It would be dishonest to describe the Belgrade scene as fully formed. Safety education is uneven — some riggers have invested seriously in understanding anatomy and risk; others have not. The culture around consent has improved but still has gaps. There is not yet a structure for resolving problems when they arise, which is a gap in every emerging scene.

  • Regular open practice sessions lower the barrier for new people to enter the community
  • Consistent teaching creates shared language and standards
  • Community self-governance — who decides what behaviour is acceptable — is the hardest part to build
  • Visibility (events, social media, studio presence) attracts people who didn't know the community existed
  • International exchange brings in outside perspectives that prevent insularity

What exists now in Belgrade is something genuinely worth having — a real community of practice, with relationships built on shared interest and accumulated trust. That it emerged from almost nothing in a few years is a reminder that communities are made, not found. Someone has to decide to make them.

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